MEXICO

Historic Centre of Oaxaca and Archaeological Site of Monte Albán

Inhabited over a period of 1,500 years by a succession of peoples – Olmecs, Zapotecs and Mixtecs – the terraces, dams, canals, pyramids and artificial mounds of Monte Albán were literally carved out of the mountain and are the symbols of a sacred topography. The nearby city of Oaxaca, which is built on a grid pattern, is a good example of Spanish colonial town planning. The solidity and volume of the city's buildings show that they were adapted to the earthquake-prone region in which these architectural gems were constructed.

Pre-Hispanic City of Chichen-Itza

This sacred site was one of the greatest Mayan centres of the Yucatán peninsula. Throughout its nearly 1,000-year history, different peoples have left their mark on the city. The Maya and Toltec vision of the world and the universe is revealed in their stone monuments and artistic works. The fusion of Mayan construction techniques with new elements from central Mexico make Chichen-Itza one of the most important examples of the Mayan-Toltec civilization in Yucatán. Several buildings have survived, such as the Warriors’ Temple, El Castillo and the circular observatory known as El Caracol.

Pre-Hispanic Town of Uxmal

The Mayan town of Uxmal, in Yucatán, was founded c. A.D. 700 and had some 25,000 inhabitants. The layout of the buildings, which date from between 700 and 1000, reveals a knowledge of astronomy. The Pyramid of the Soothsayer, as the Spaniards called it, dominates the ceremonial centre, which has well-designed buildings decorated with a profusion of symbolic motifs and sculptures depicting Chaac, the god of rain. The ceremonial sites of Uxmal, Kabah, Labna and Sayil are considered the high points of Mayan art and architecture.

Central University City Campus of the Universidad Nacional Autónoma de México (UNAM)

The ensemble of buildings, sports facilities and open spaces of the Central University City Campus of the Universidad Nacional Autónoma de México (UNAM), was built from 1949 to 1952 by more than 60 architects, engineers and artists who were involved in the project. As a result, the campus constitutes a unique example of 20th-century modernism integrating urbanism, architecture, engineering, landscape design and fine arts with references to local traditions, especially to Mexico’s pre-Hispanic past. The ensemble embodies social and cultural values of universal significance and is one of the most significant icons of modernity in Latin America.

Protective town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco

The fortified town, first established in the 16th century to protect the Royal Route inland, reached its apogee in the 18th century when many of its outstanding religious and civic buildings were built in the style of the Mexican Baroque. Some of these buildings are masterpieces of the style that evolved in the transition from Baroque to neoclassical. Situated 14 km from the town, the Jesuit sanctuary, also dating from the 18th century, is one of the finest examples of Baroque art and architecture in the New Spain. It consists of a large church, and several smaller chapels, all decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre. Because of its location, San Miguel de Allende acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences while the Sanctuary of Jesús Nazareno de Atotonilco constitutes an exceptional example of the exchange between European and Latin American cultures. Its architecture and interior decoration testify to the influence of Saint Ignacio de Loyola’s doctrine.