BRAZIL

Historic Town of Ouro Preto

Founded at the end of the 17th century, Ouro Preto (Black Gold) was the focal point of the gold rush and Brazil’s golden age in the 18th century. With the exhaustion of the gold mines in the 19th century, the city’s influence declined but many churches, bridges and fountains remain as a testimony to its past prosperity and the exceptional talent of the Baroque sculptor Aleijadinho.

 

Sanctuary of Bom Jesus do Congonhas

This sanctuary in Minais Gerais, south of Belo Horizonte was built in the second half of the 18th century. It consists of a church with a magnificent Rococo interior of Italian inspiration; an outdoor stairway decorated with statues of the prophets; and seven chapels illustrating the Stations of the Cross, in which the polychrome sculptures by Aleijadinho are masterpieces of a highly original, moving, expressive form of Baroque art.

  

Iguaçu National Park

The park shares with Iguazú National Park in Argentina one of the world’s largest and most impressive waterfalls, extending over some 2,700 m. It is home to many rare and endangered species of flora and fauna, among them the giant otter and the giant anteater. The clouds of spray produced by the waterfall are conducive to the growth of lush vegetation.

                                                                                  

Brasilia

Brasilia, a capital created ex nihilo in the centre of the country in 1956, was a landmark in the history of town planning. Urban planner Lucio Costa and architect Oscar Niemeyer intended that every element – from the layout of the residential and administrative districts (often compared to the shape of a bird in flight) to the symmetry of the buildings themselves – should be in harmony with the city’s overall design. The official buildings, in particular, are innovative and imaginative.

 

Pantanal Conservation Area

The Pantanal Conservation Complex consists of a cluster of four protected areas with a total area of 187,818 ha. Located in western central Brazil at the south-west corner of the State of Mato Grosso, the site represents 1.3% of Brazil's Pantanal region, one of the world's largest freshwater wetland ecosystems. The headwaters of the region's two major river systems, the Cuiabá and the Paraguay rivers, are located here, and the abundance and diversity of its vegetation and animal life are spectacular.

 

 

 

 

 

 

 

 

Brazilian Atlantic Islands: Fernando de Noronha and Atol das Rocas Reserves

Peaks of the Southern Atlantic submarine ridge form the Fernando de Noronha Archipelago and Rocas Atoll off the coast of Brazil. They represent a large proportion of the island surface of the South Atlantic and their rich waters are extremely important for the breeding and feeding of tuna, shark, turtle and marine mammals. The islands are home to the largest concentration of tropical seabirds in the Western Atlantic. Baia de Golfinhos has an exceptional population of resident dolphin and at low tide the Rocas Atoll provides a spectacular seascape of lagoons and tidal pools teeming with fish.

                                                                         

 

Historic Centre of the Town of Goiás

Goiás testifies to the occupation and colonization of the lands of central Brazil in the 18th and 19th centuries. The urban layout is an example of the organic development of a mining town, adapted to the conditions of the site. Although modest, both public and private architecture form a harmonious whole, thanks to the coherent use of local materials and vernacular techniques.

 

Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea

The site consists of an exceptional urban setting encompassing the key natural elements that have shaped and inspired the development of the city: from the highest points of the Tijuca National Park’s mountains down to the sea. They also include the Botanical Gardens, established in 1808, Corcovado Mountain with its celebrated statue of Christ, and the hills around Guanabara Bay, including the extensive designed landscapes along Copacabana Bay which have contributed to the outdoor living culture of this spectacular city. Rio de Janeiro is also recognized for the artistic inspiration it has provided to musicians, landscapers and urbanists.

                                                                            

   

Pampulha Modern Ensemble

The Pampulha Modern Ensemble was the centre of a visionary garden city project created in 1940 at Belo Horizonte, the capital of Minas Gerais State. Designed around an artificial lake, this cultural and leisure centre included a casino, a ballroom, the Golf Yacht Club and the São Francisco de Assis church. The buildings were designed by architect Oscar Niemeyer, in collaboration with innovative artists. The Ensemble comprises bold forms that exploit the plastic potential of concrete, while fusing architecture, landscape design, sculpture and painting into a harmonious whole. It reflects the influence of local traditions, the Brazilian climate and natural surroundings on the principles of modern architecture.

                                                                          

                                                                                  

Paraty and Ilha Grande – Culture and Biodiversity

This natural-cultural landscape encompasses the historic centre of Paraty, one of Brazil's best-preserved coastal towns, four Brazilian Atlantic Forest protected natural areas, one of the world’s five key biodiversity hotspots, as well as part of the Serra da Bocaina mountain range and the Atlantic coastal region. Serra do Mar and Ilha Grande Bay is home to an impressive diversity of animal species, some of which are threatened, such as the jaguar (Panthera onca), the white-lipped peccary (Tayassu pecari) and several primate species, including the Southern Muriqui (Brachyteles arachnoides), which are emblematic of the property. In the late 17th century, Paraty was the end-point of the Caminho do Ouro (Gold Route), along which gold was shipped to Europe. Its port also served as an entry point for tools and African slaves, sent to work in the mines. A defence system was built to protect the wealth of the port and the town. The historic centre of Paraty has retained its 18th century plan and much of its colonial architecture dating from the 18th and early 19th centuries.

 

 

Samba de Roda of the Recôncavo of Bahia

 The Samba de Roda, which involves music, dance and poetry, is a popular festive event that developed in the State of Bahia, in the region of Recôncavo during the seventeenth century. It drew heavily on the dances and cultural traditions of the region’s African slaves. The performance also included elements of Portuguese culture, such as language, poetry, and certain musical instruments. At first a major component of regional popular culture among Brazilians of African descent, the Samba de Roda was eventually taken by migrants to Rio de Janeiro, where it influenced the evolution of the urban samba that became a symbol of Brazilian national identity in the twentieth century.

The dance is performed on various occasions, such as popular Catholic festivities or Afro-Brazilian religious ceremonies, but is also executed in more spontaneous settings. All present, including beginners, are invited to join the dance and learn through observation and imitation. One of the defining characteristics of the Samba of Roda is the gathering of participants in a circle, referred to as roda. It is generally performed only by women, each one taking her turn in the center of the ring surrounded by others dancing in the circle while clapping their hands and singing. The choreography is often improvised and based on the movements of the feet, legs and hips. One of the most typical movements is the famous belly push, the umbigada, a testimony of Bantu influence, used by the dancer to invite her successor into the centre of the circle. The Samba de Roda is also distinguished by specific dance steps like the miudinho, the use of the viola machete - a small lute with plucked strings from Portugal, as well as scraped instruments, and responsorial songs.

The influence of mass media and competition from contemporary popular music have contributed to undervaluing this Samba in the eyes of the young. The ageing of practitioners and the dwindling number of artisans capable of making some of the instruments pose a further threat to the transmission of the tradition.