UKRAINE

Kiev: Saint-Sophia Cathedral and Related Monastic Buildings, Kiev-Pechersk Lavra

Designed to rival Hagia Sophia in Constantinople, Kiev's Saint-Sophia Cathedral symbolizes the 'new Constantinople', capital of the Christian principality of Kiev, which was created in the 11th century in a region evangelized after the baptism of St Vladimir in 988. The spiritual and intellectual influence of Kiev-Pechersk Lavra contributed to the spread of Orthodox thought and the Orthodox faith in the Russian world from the 17th to the 19th century.

L'viv – the Ensemble of the Historic Centre

The city of L''viv, founded in the late Middle Ages, was a flourishing administrative, religious and commercial centre for several centuries. The medieval urban topography has been preserved virtually intact (in particular, there is evidence of the different ethnic communities who lived there), along with many fine Baroque and later buildings.

    

     

Struve Geodetic Arc

The Struve Arc is a chain of survey triangulations stretching from Hammerfest in Norway to the Black Sea, through 10 countries and over 2,820 km. These are points of a survey, carried out between 1816 and 1855 by the astronomer Friedrich Georg Wilhelm Struve, which represented the first accurate measuring of a long segment of a meridian. This helped to establish the exact size and shape of the planet and marked an important step in the development of earth sciences and topographic mapping. It is an extraordinary example of scientific collaboration among scientists from different countries, and of collaboration between monarchs for a scientific cause. The original arc consisted of 258 main triangles with 265 main station points. The listed site includes 34 of the original station points, with different markings, i.e. a drilled hole in rock, iron cross, cairns, or built obelisks.

  

Primeval Beech Forests of the Carpathians and the Ancient Beech Forests of Germany

The Ancient Beech Forests of Germany, represent examples of on-going post-glacial biological and ecological evolution of terrestrial ecosystems and are indispensable to understanding the spread of the beech (Fagus sylvatica) in the Northern Hemisphere across a variety of environments. The new inscription represents the addition of five forests totaling 4,391 hectares that are added to the 29,278 hectares of Slovakian and Ukranian beech forests inscribed on the World Heritage List in 2007. The tri-national property is now to be known as the Primeval Beech Forests of the Carpathians and the Ancient Beech Forests of Germany (Slovakia, Ukraine, Germany).

 

Residence of Bukovinian and Dalmatian Metropolitans

 

The Residence of Bukovinian and Dalmatian Metropolitans represents a masterful synergy of architectural styles built by Czech architect Josef Hlavka from 1864 to 1882. The property, an outstanding example of 19th-century historicist architecture, also includes a seminary and monastery and is dominated by the domed, cruciform Seminary Church with a garden and park. The complex expresses architectural and cultural influences from the Byzantine period onward and embodies the powerful presence of the Orthodox Church during Habsburg rule, reflecting the Austro-Hungarian Empire policy of religious tolerance.

Ancient City of Tauric Chersonese and its Chora

 

The site features the remains of a city founded by Dorian Greeks in the 5th century BC on the northern shores of the Black Sea. It encompasses six component sites with urban remains and agricultural lands divided into several hundreds of chora, rectangular plots of equal size. The plots supported vineyards whose production was exported by the city which thrived until the 15th century. The site features several public building complexes and residential neighbourhoods, as well as early Christian monuments alongside remains from Stone and Bronze Age settlements; Roman and medieval tower fortifications and water supply systems; and exceptionally well-preserved examples of vineyard planting and dividing walls. In the 3rd century AD, the site was known as the most productive wine centre of the Black Sea and remained a hub of exchange between the Greek, Roman and Byzantine Empires and populations north of the Black Sea. It is an outstanding example of democratic land organization linked to an ancient polis, reflecting the city’s social organization.

Wooden Tserkvas of the Carpathian Region in Poland and Ukraine

 

Situated in the eastern fringe of Central Europe, the transnational property numbers a selection of sixteen tserkvas (churches). They were built of horizontal wooden logs between the 16^th and 19^th centuries by communities of Orthodox and Greek Catholic faiths. The tserkvas bear testimony to a distinct building tradition rooted in Orthodox ecclesiastic design interwoven with elements of local tradition, and symbolic references to their communities’ cosmogony.  The tserkvas are built on a tri-partite plan surmounted by open quadrilateral or octagonal domes and cupolas. Integral to tserkvas are iconostasis screens, interior polychrome decorations, and other historic furnishings. Important elements of some tserkvas include wooden bell towers, churchyards, gatehouses and graveyards.

• Descent of the Holy Spirit Church, Potelych, Zhovkva 
• Holy Trinity Church, ZhovkvaSt. George‘s Church, Drohobych 
• St. Dmytro's Church, Matkiv 
• Descent of the Holy Spirit Church, Rohatyn 
• The Church of the Nativity of B.V.M., Nyzhniy Verbizh, Zakarpattia 

• St. Archangel Michael Church, Uzhok 

 

• Ascension of Our Lord Church, Yasinia, Zakarpattia

                                                                                   

                                                                            

The Historic Centre of Odesa

The Historic Center of Odesa, part of the Black Sea port city developed on the site of Khadzhybei, is a densely built-up area, planned according to classicism canons, characterized by two- to four-storey buildings and wide perpendicular streets lined with trees. Historic buildings reflect the rapid economic development of the city in the 19th and early 20th centuries. The site includes theatres, bridges, monuments, religious buildings, schools, private palaces and tenement houses, clubs, hotels, banks, shopping centres, warehouses, stock exchanges and other public and administrative buildings designed by architects and engineers, mostly from Italy in the early years, but also of other nationalities. Eclecticism is the dominant feature of the historic city centre’s architecture. The site bears witness to the city’s highly diverse ethnic and religious communities, representing an outstanding example of intercultural exchanges and the growth of multicultural and multi-ethnic Eastern European cities of the 19th century.

                                                                             

                                                                        

Petrykivka decorative painting as a phenomenon of the Ukrainian ornamental folk art

The people of the village of Petrykivka decorate their living quarters, household belongings and musical instruments with a style of ornamental painting that is characterized by fantastic flowers and other natural elements, based on careful observation of the local flora and fauna. This art is rich in symbolism: the rooster stands for fire and spiritual awakening, while birds represent light, harmony and happiness. In folk belief, the paintings protect people from sorrow and evil. Local people, and in particular women of all ages, are involved in this folk art tradition. Every family has at least one practitioner, making decorative painting an integral part of daily existence in the community. The painting traditions, including the symbolism of the ornamental elements, are transferred, renewed and enhanced from one generation to another. Local schools at all levels, from pre-school to college, teach the fundamentals of Petrykivka decorative painting, with all children given the opportunity to study it. The community willingly teaches its skills and know-how to anyone who shows an interest. The tradition of decorative and applied arts contributes to the renewal of historical and spiritual memory and defines the identity of the entire community.